However, it was a financial disappointment in the Midwest, as well as most other cities in the country, including NYC; to RKO's chagrin, the film's premiere in New York on March 3, 1938 at Radio City Music Hall made only $70,000 and it was pulled after one week[50] in favor of Jezebel with Bette Davis.
[11] Barbara Leaming alleged that Ford had an affair with Hepburn, and claims that many of the characteristics of Susan and David were based on Hepburn and Ford. I realize it looks odd...I don't usually...I mean, I don't own one of these". Part of the Vaudeville circuit, she was also an actress and stunt double but her true passion lied in leopards. [10] RKO paid King Features $1,000 to use the idea for the film on September 21.
Hawks mentioned this to Hepburn, who immediately marched over to ask Catlett for advice.
She even does a mean gangster impression towards the end. [16] The production had a difficult start due to Hepburn's struggles with her character and her comedic abilities. Connecticut country road scenes were filmed at Oakgrove Park in Flintridge, CA, while New England street scenes were filmed at the Twentieth Century-Fox Studios. was based on the scene in which Grant's coat and Hepburn's dress are torn in Bringing Up Baby.
Robert MacGowan was hired by RKO to write gags for this film. Celle-ci, excentrique, veut attirer l'attention du scientifique alors que « Bébé », léopard apprivoisé, se trouve remplacé par un autre, sauvage, qui provoque des catastrophes.
Near the end of filming, Katharine Hepburn's name appeared in a trade ad placed by the Independent Theatre Owners Association at the top of a list of performers they considered "box-office poison." Despite Hepburn's knack for working with Nissa, the studio wasn't taking any chances.
They won't be able to see your review if you only submit your rating. Grant is not so bad himself, with that suave accent in a nerdy role, finding himself helplessly drawn into Hepburn's crazy world. Say, that's pretty WHITE of Mr. Peabody, isn't it?".
RKO was still committed to pay Katharine Hepburn for two more films at $75,000 apiece. A tame leopard was used during the shooting; its trainer was off-screen with a whip for all of its scenes.
The theatrical trailer is made up mostly of unused alternate takes of the scenes in the film.
[7] The Bringing Up Baby script underwent several changes, and at one point there was an elaborate pie fight, inspired by Mack Sennett films. You started off my day with such inspiration.
Production was frequently delayed due to uncontrollable laughing fits between Hepburn and Grant. Ironically, his replacement on that film, George Stevens, was just as painstaking as Hawks.
[57] Hepburn's former boyfriend Howard Hughes bought RKO in 1948, and sold it in 1955; when he sold the company, Hughes retained the copyright to six films (including Bringing Up Baby).
We want to hear what you have to say but need to verify your account. The problems in Bringing Up Baby revolve around a variety of activities including trying to obtain a million dollar donation for the museum, searching for the lost intercostal clavicle, hunting for a pair of leopards, singing songs to the leopards, tossing rocks at Mr. Peabody, etc.
| Rating: 10/10
Coming Soon, Regal Stay tuned! Hawks asked whether Catlett would help Hepburn if she asked him to. Even the scenes of Susan dragging the mean Leopard on a leash are split screened -- you can see that the rope doesn't always line up. Hepburn took Hawks aside, telling him never to talk to her like that again since she was old friends with most of the crew. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. [29] Filming began in-studio with the scenes in Susan's apartment, moving to the Bel Air Country Club in early October for the golf-course scenes.
[21] Hawks later facetiously blamed the setbacks on his two stars' laughing fits and having to work with two animal actors.[33]. This is most evident after Susan gets the Leopard dragged into the jail.
Grant and Hepburn compose a dazzlingly energetic couple, playing off each other's polar-opposite personalities with impressive cinematic flair. [19], The 1933 film My Weakness had previously used the word "gay" as an overt descriptor of homosexuality; one of two men pining away for the same woman suddenly suggests a solution to their mutual problem: "Let's be gay!" That viewpoint would achieve scientific consensus during the latter part of the twentieth century.
[42] Film Daily called it "literally a riot from beginning to end, with the laugh total heavy and the action fast. | Rating: 4/4 [16] Beginning at the Arthur Ranch shoot,[21] Grant and Hepburn often ad-libbed their dialogue and frequently delayed production by making each other laugh. Hepburn wore heavy perfume to keep Nissa calm and was unafraid of the leopard, but Grant was terrified; most scenes of the two interacting are done in close-up with a stand-in. [27] As Hawks could not find a panther that would work for the film, Baby was changed to a leopard so they could cast the trained leopard Nissa, who had worked in films for eight years, making several B-movies.
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Hawks cast him as the town constable. In March 1937, Howard Hawks signed a contract at RKO for an adaptation of Rudyard Kipling's Gunga Din, which had been in pre-production since the previous fall. It's an unusual film to say the least. For instance, in the take used in the trailer, Cary Grant doesn't jerk downward when Katharine Hepburn rips his coat like he does in the take used in the movie.
They loved working on the film so much that they frequently arrived early.
"[45] However, Frank S. Nugent of The New York Times disliked the film, considering it derivative and cliché-ridden, a rehash of dozens of other screwball comedies of the period. One of the finest screwball comedies ever. Employed by the Luna Park Zoo in Los Angeles, Olga worked with and trained a handful of leopards but her favorite was Neissa, whom she considered nothing more than a large house cat. | Fresh (43)
The site's critical consensus reads: "With Katharine Hepburn and Cary Grant at their effervescent best, Bringing Up Baby is a seamlessly assembled comedy with enduring appeal. On a mission to bring new life to old recipes, forgotten cookbooks, and cast aside kitchen items from the 1800’s to the 1970’s, this is where we all sit down at the table together and learn something new about the food we eat today and how it came to be. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. The film premiered on February 16, 1938 at the Golden Gate Theatre in San Francisco (where it was a hit), and was also successful in Los Angeles, Portland, Denver, Cincinnati and Washington, D.C.. Centre national du cinéma et de l'image animée, https://fr.wikipedia.org/w/index.php?title=L%27Impossible_Monsieur_Bébé&oldid=173507995, Film mettant en scène une panthère ou un léopard, Article contenant un appel à traduction en anglais, Catégorie Commons avec lien local identique sur Wikidata, Page pointant vers des bases relatives à l'audiovisuel, Portail:Époque contemporaine/Articles liés, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. The day after their first meeting, Susan (Katherine Hepburn) wants David (Cary Grant) to help her because she has just received a leopard from her brother in Brazil. While schmoozing a rich lady's lawyer on the golf course, he runs into Katharine Hepburn, a scatter-brained (yet attractive) lunatic who brings trouble with her wherever she goes, especially to the scientist.
April 20, 2019 Premiere Magazine rated this movie one of "The 50 Greatest Comedies of All Time" in 2006.
Howard Hughes suggested Cary Grant for the film.
Katharine Hepburn, Cary Grant, and a leopard, hey, what more could you want?
Spring Ahead: Decorating with Vintage Botanical Prints, The Lady Behind The Leopard: Bringing Up Baby’s Unseen Star, So Timely: All About Wishlists, Quick Cooking and the Biggest Sale of the Year…, The Historic Side of Haiti in Houses and Dessert, Corfu For You: A Taste of Greece in Sights, Sounds and Grape Leaves, Fourth of July Baking: A German Dessert of American Symbolism and Celebrity, Lucy & Herbert Go to Paris: A 1970’s Travel Adventure and a Recipe. Producer Pandro S. Berman wanted to cut five more minutes, but relented when Hawks, Grant and Cliff Reid objected. After she dangles for a few seconds, David lifts her onto the platform.
Légende : 1er doublage (1941) / 2nd doublage (1988).
In 2007, the American Film Institute ranked the film at number 88 on "The Greatest Movies of All Time.". [59] Shakespeare's Much Ado About Nothing and As You Like It have been cited in particular as influences on the film and the screwball comedy in general, with their "haughty, self-sufficient men, strong women and fierce combat of words and wit.
It did well in most West Coast and East Coast cities, faltered in the Midwest and, amazingly, flopped big time in New York City, where it was pulled from the Radio City Music Hall after just one week.
When Hepburn paused and realized that everyone was looking at her, she asked what was the matter; Hawks asked her if she was finished imitating a parrot.
[20], In the film, the line was an ad-lib by Grant and not in any version of the original script. David saves her, using a chair to shoo the big cat into a cell. Coming Soon. until the only person still talking was Hepburn. Katharine Hepburn was cast because of her New England background and similarities to the character. Howard Hawks had some difficulty getting Katharine Hepburn to stop overacting during the early stages of production.
The director received an additional $40,000 to terminate his RKO contract on March 21, 1938. Fun and entertaining, and the two stars really make this one worth seeing.
[33] After one month of shooting Hawks was seven days behind schedule. "[47], Bringing Up Baby has been adapted several times.
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