Off-axis sounds are rendered naturally while isolation is increased. Its smooth yet defined character shaped the sound of the 70s. The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry not to mention classic Neumann sound! Neumann TLM 102 Condenser Microphone, Nickel 4.8 out of 5 stars 93. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone. The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. Microphone Head (for Sennheiser wireless systems). Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready. The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. Sweetwater Sales Engineers help you buy music gear with confidence. Studio quality sound with outstanding resolution, The complete microphone portfolio for recording and live sound, Professional monitoring for nearfield and midfield applications. A state-of-the-art microphone preamplifier with integrated headphone monitoring. The KMS 104 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right. The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. Between 1963 and 1993 Neumann manufactured a great deal of mixing consoles for radio and film studios, television, theatres, concert halls and the recording industry. Since 1928 the brand Neumann has been synonymous with perfect sound, pioneering research and development, and uncompromising quality. The KMR 82 i is still in production! The AM 31 was the successor to Neumann’s first disk cutting lathe AM 29, which was still belt driven. Disc cutting lathe for vinyl. A powerful tri-amplified midfield monitor for demanding engineers. Diameter: 9 cm, height: 40 cm, weight: 3 kg. As with traditional transformers, it ensures good common mode rejection and prevents RF interference that may influence the balanced audio signal. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection. In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. Slightly modified version of the RSM 190. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system. By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The System KM A/D is a modular microphone system for even the most demanding applications. It is also used for industrial applications. With the TLM 170 Neumann brought the first transformerless microphone onto the market. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. The AM 31’s innovative oil-damped direct drive ensured an extremely even rotation. Get Directions | The M 49 was the first studio microphone with a continuously variable directional pattern. Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs. Our expertly trained Sales Engineers are ready to help! Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features. The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The absence of transformers makes the sound more transparent and open. Il microfono a condensatore economico per eccellenza. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. Introduced as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. A Sweetwater Sales Engineer will get back to you shortly. The digital Version of Neumann’s high-resolution tri-amplified KH 310 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5kHz, and above that, a wide flat 4dB presence boost. The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics. Transistor Microphone for Modulation Lead Powering. The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. Protecting & Cleaning Neumann Microphones. Switchable Studio Microphone (Mod. The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 183 is the successor to the classic KM 83 and can handle much higher SPLs, thanks to its transformerless output stage. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Neumann considers it a low-budget microphone, although its street price is about $1000. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications. Like all microphones of its time, it operated with tube electronics. The first switchable pattern condenser microphone. Miniature Microphone for Modulation Lead Powering. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB (A-weighted). The capsule head KK 204 uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 2000/6000/9000 handheld transmitters and EW G4 300/500 wireless systems. Neumann’s first shotgun microphone was designed with great attention to an even off-axis response to minimize unwanted sound coloration. Neumann TLM 103 Condenser Microphone, Nickel. Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. 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