Under the pretext And I'm like: "Heidi, it was a week ago that we just stopped talking about it because we weren't getting anywhere because we weren't getting anywhere 'cause you weren't telling me anything about it -- and I asked you plenty of questions... 'oh! - Aye. That they would be able to be reunited with their, their mothers. But I like rice now, so I guess I like rice if it's cooked real good. Come on, hurry. HEIDI: When I left, I was confused more than anything. Documentary Film Analysis: Daughter from Danang 1. She told me over the telephone. Life is different there. She is uncomfortable among the crowded conditions in the markets she visits with Mai Thi. And now it's -- I hardly hear from them, and of course they don't hear from me at all. Problems during this time of development are easily seen later in life. HEIDI: That's still to me a fuzzy dream that happened. It was March, 1975. Please protect Hiep and her children, so they will come back and help build your tomb. And, y'know, I look at it but I just look at it and walk by and say I can't. SISTER, NIECE AND NEPHEW, SINGING: Dad loves me cause I look like mom. I'd beg every westerner to help me get to the U.S. TRAN TUONG NHU, JOURNALIST: I had a friend who was interviewing people who wanted to come to America in the orderly departure program, and he met a woman from Danang, whose name was Mai Thi Kim. KIM: Father Tinh and Hien. Daddy, where's the car? When she was growing up, and even until now, I still look at her as a white American. KIM (HEIDI REPEATS IN VIETNAMESE): I... love... you daughter... very... much. Your expectations of me are more than I can handle, and I wasn't prepared for it. I'll just be going "maaaahh.". It was February, 1964. KIM: You were born here so everybody remembers you. You can dip it in this. KIM: After taking her there, I told her to remember...one day you will come look for me, you must never forget. I'm very happy. SCENE CHANGE: HEIDI CONTINUES): Before I got here and actually face to face with my mother, I always had this image of a soft-spoken, kind, loving, caring person. TINH: While my mother worked, I played her role at home. Or she might called herself "mah." I know he tells her that he accepts me as her own, but there's got to be that little bit of resentment, maybe because he's not my father. It is, I mean, it is the place where the KKK originated. GIRL SCOUTS (ARCHIVAL FOOTAGE): On my honor, I will try to serve God and my country. SCENE CHANGE: HEIDI CONTINUES: It breaks my heart to know your condition, and that I can't help you as I want to. HEIDI: It's gonna' be so healing for both of us to see each other. I've never been away this far from my own family -- my husband and my two little girls, and I'm feeling homesick. TOM MILLER, ATTORNEY: We didn't know this at the time, but as a last desperate attempt of the White House to gain sympathy for the war, and possibly additional funding for the war, they backed what was called the "Orphan Airlift. I longed for that. It was the summer after my sophomore year in college. But Hiep couldn't understand that. There it is. First of all, gut-wrenching may not be the best word to describe this film. To hell with you, I even went to the bathroom. It makes it even worse that we're all hot and sticky -- uh. That I was no longer hopeless and disappointed, and that I would never lose her again. I raised her brother and two sisters, but I had to let her go. I see... no one... in the street. AMERICAN SOCIAL WORKER: I'll take care of him. The first one gave me up, and this one doesn't want me. TOM MILLER: The government never had a complete list of the children. HEIDI: I've always wanted to know about my birth mom. So I never really knew who my father was. TRAN TUONG NHU: Mah. All I want is for you to be happy with our family. Because my husband Vinh left without saying a word. I was so frightened. You're a good man, Peterson. To me, gut-wrenching sounds like high octane action. Very, very, very happy. I'm gonna' go back with you." that there is a war necessity, HEIDI: I've always wanted the feeling that someone would love me no matter what. It's matching, you both have the same watch. Analysis Of Daughter From Danang 802 Words | 4 Pages. On March 15th I dressed her up and got her stuff ready. Inside, I just felt, just wanted to scrunch down in my chair and hide. She did everything. This is how things are done in Vietnam. There's no way I could understand. I mean, the ties that everybody has. And where I am now, and I wouldn't be where I am, and have the life that I have, if she hadn't made that choice 22 years ago to give me up. I must have been a bad child, y'know, for her to give me up and not want me. We had no control, and could just be swept away. If I do something, I just hope they overlook it and think "Oh, she's, she's American -- she doesn't know any better.". And she says: "Because the government in its infinite wisdom has thrown up so many barricades to a single mom adopting a kid.". I mean, I don't want to y'know portray her as a child batterer or anything, y'know I just...I don't think of it that way, y'know. I was going to go home a little early. It goes downs...Meh. Heidi's guide explains to her that it is common for Vietnamese nationals in America to provide money for their families remaining in Vietnam. SOCIAL WORKER: Aww... you think. [ Girl Continues Giggling] Bring him back, I'll reward you if you find him.". So I had to spend the night at one of my girlfriend's house that night. -Thank you ve... Give it over, Michael. ROYCE HUGHES: We made a southerner, a southerner out of her real quick as far as that goes, mm'hmm. DO HUU VINH, FATHER OF HEIDI'S SIBLINGS. HEIDI: She was a single parent. PHOUC: It's all too uncomfortable for her. I tried to warn her about how things were different in Vietnam. Having been through all this war and desperation, the Vietnamese are very up-front -- especially about money. Are you coming? Mai Thi tells Heidi that she wants to live the rest of her life in America with her. Heidi's half-brother is the head of the family, and informs her that it is now her turn to care for their mother. This is Heidi with the baby doll. will you, Peterson? I mean I see that in her, but I also see that she's very aggressive. I feel like I'm on another planet. HEIDI: I can't do this. Perhaps you could bring her to live near you to renew the love between mother and child. Don't think I just abandoned you. She loved bologna. I held her picture up to the mirror so I could see if there was a resemblance. The goal of ethnographic interviewing is to understand and appreciate experiences and worldviews of people who are different from us. I...I feel like she had no control over what she was doing. HEIDI: It's still hard for me to fathom how close they are. So I gave you a heart ring to remember me. I am really scared... Many programs have been made about the Vietnam War, but few have focused on the personal stories of women and children whose lives were forever changed by choices made during that time. Daughter from Danang, Summary and Reflection First of all, gut-wrenching may not be the best word to describe this film. When I bathe my daughter I think of little Hiep. ", http://newsgroups.derkeiler.com/Archive/Soc/soc.culture.china/2009-09/msg00036.html, Into the Deep: America, Whaling & the World, Jonestown: The Life and Death of Peoples Temple, Liberators: Fighting on Two Fronts in World War II, Marcus Garvey: Look For Me in the Whirlwind, Roots of Resistance: The Story of the Underground Railroad, Woodrow Wilson and the Birth of the American Century, Documentary films about immigration to the United States, 2002 Sundance Film Festival, Grand Jury Prize Best Documentary, San Francisco International Film Festival, Golden Gate Award Grand Prize, Best Bay Area Documentary, Ojai Film Festival, Best Documentary Feature, Durango (Colorado) Film Festival, Filmmakers Award, 2002 Texas Film Festival, Best Documentary and Audience Choice Award, New Jersey International Film Festival, Best Documentary, Nashville International Film Festival, Honorable Mention - Best Documentary, Cleveland International Film Festival, Runner Up - Best Film. For me, it's just a parade. Sit down. Just for the sake of some sort of justice. And I was very perturbed. SCENE CHANGE: HEIDI CONTINUES: My mother gave me this picture of her and she said my father when he was here, he used to keep that picture in his room. HEIDI: So people remember me? Let's go slowly. The more miserable my life was, the more I missed her. We have only a few minutes left. But yet at the same time I just really didn't know what to expect of what she would find. Some of the camera work is shaky, but the dynamics of the story are captivating. But for an American, it was a shock. -... 1 When I was little. PHOUC: Don't worry, little sister. Fire in the hole! She had heard rumors that the North Vietnamese would kill Amerasian children, and decided to send Hiep to the United States. DING DUNG/TRANSLATOR AFTER NHU LEAVES: I haven't seen you in twenty two years, and now you're here, and I am very happy now. Your momma' said they were working in the rice fields. TINH: This time you don't speak any Vietnamese, and we can't speak English. HEIDI: I remember going to a private school to learn English. And I have no earthly idea of their expectations. It was so hot in there, and the food was out and the fish smell, and it was just not the best circumstance to be in. If they're sick, I was their clothes and cook for them. HEIDI: I think a majority were against the KKK. Please come back inside and join the family. Bub spends a few days getting reacquainted with the relatives she barely knew when she was sent to live with her adopted mother (an upper-middle-class, sometimes cruel single woman) in Pulaski, Tennessee. It was amazing that I could remember all that stuff. It was just too hard for me emotionally. It did turn my stomach though, but not out of action. [ Giggling] I mean I don't know anything, I don't know how you felt while you were there. We were standing there holding hands. No...no... KIM: So much pain. TINH: Okay, then, let's live in the present. HEIDI: They just cook on the street? [cat meows] And all I know is how much I love her. HEIDI: I used to ask myself how could I love this person that I don't even know? * Heidi stays in regular contact with her family and rediscovers and embraces her Vietnamese heritage and educates her children, husband and the family that adopted her. His charged, articulate and intelligent words hit somewhere deep down i... Creative Commons Attribution 3.0. HEIDI: She hardly told me she loved me. Heidi Neville Bub was born on December 10, 1968 in Danang as Mai Thi Hiep. JOHN: She told me not to tell anyone that she was half-Vietnamese. Can't you hear her laughing? Mama? TRAN TUONG NHU: This for me was also the fulfillment of some dream that I had had. And then send her back? But Bub finds her new environment thoroughly alien, and her anxiety peaks when she attends a family meeting set up to ask her for money. What this whole business was doing was creating a situation where families were being induced to give up their children. And she was a hitter. I put on a waterproof mascara that John bought me because he knew I would need it. Because I can take the children and send them to America. [6], National Asian-American Telecommunications Association, People and Events: Biography of Heidi Bub, "Sunday Best: Daughter From Danang ... Where Are They Now? It's gonna' make all of those bad memories go away. I wanna' go home and escape this world and go back to the one I know, and it's comfortable to me, and that's sane almost. They considered them whores, excuse my language. Mom loves me cause I look like dad. It's not as if you're going your way and I'm going mine. She's used to living a different way. Daughter from Đà Nẵng is a 2002 documentary film about an Amerasian, Heidi Bub (a.k.a. TINH: I tried to talk to her but she didn't listen. They literally had to pry us apart to get me on that plane.
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