Mr. Chalfant’s photography froze the trains in place, but not the kinetic energy of the art. Transit, 1977-1987 Through March 8 at the Bronx Museum of the Arts, 1040 Grand Concourse; 718-681-6000, bronxmuseum.org . Europeans in general consider art a profession like any other, where Americans still have a kind of romantic idea about it.”. Street Artist XAM has started a new series of miniature billboards that poke their little fingers in the eye of advertising and in the process call into question what kind of messages are legal or illegal. Please enter your username or email address and password.
An installation view of “Henry Chalfant: Art vs. By isolating each work, he confirmed its individualism. His photographs are also in the collections of the Metropolitan Museum of Art in New York and the Carnegie Institute in Pittsburg. Chalfant became interested in graffiti art when he arrived in New York in 1973, after graduating from Stanford University. It’s an apt homecoming for Mr. Chalfant’s first United States retrospective — the site of much of New York graffiti’s innovation, where many graffiti artists lived and where the bulk of Mr. Chalfant’s imagery was produced. Please enter a valid message. Sell art from your collection. Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
“He invited us to his studio and he had these portfolios of photos. “He’s enabled future generations to be able to experience this work.
“It was hard for us to get the book published,” Mr. Chalfant recalled at the museum recently. The exhibition in the Bronx will provide a long-awaited homecoming for the work of Henry Chalfant. Guernsey's, New York, June 14, 2000, lot 129. An accomplished sculptor, Henry Chalfant (American, b.1940) is best known for his photography and films that captured the Street Art of New York City. See all articles. Advertisement The Bronx show was first exhibited in 2018 in Madrid, conceived by the Spanish graffiti artist SUSO33, who has called Mr. Chalfant “the most important ambassador of graffiti culture in the world.” During its run, over a thousand people visited it every day. Henry Chalfant: Art vs. Graffiti persists on the odd box truck and pull-down gate, but has otherwise completely vanished from the subway. Chalfant’s photographs are a work of visual anthropology and one of the seminal documents of American popular culture in the late twentieth century. Your credit card on file will be charged automatically after the auction ends. Additionally, his work has appeared in exhibitions of graffiti art at MoMA PS1 in New York, Museum of Contemporary Art in Los Angeles, the Museum of the City of New York, among other galleries and international museums. His train panoramas, some blown up to train car-size, have been assembled here alongside his street photography of park jams and wall works, and a collection of archives and black books that recreate his SoHo studio.
Henry Chalfant at the Bronx Museum of the Arts, where his first United States retrospective is being exhibited. Transit, 1977-1987 is generously supported by KAWS, Michael D. & Kristin Elkins, David Forbes and Velda Turan, Janet Goldman, Hal & Jodi Hess, Supreme, Powerhouse Arts, Philip & Cheryl Milstein, Eric Firestone Gallery, Sacha Jenkins & MassAppeal, Rob Cristofaro & Alife, Shepard Fairy, Anne Brown, and Josh Rechnitz. Graffiti writers appreciated this, and Mr. Chalfant befriended many of them, eventually. Thank you for subscribing to the the artnet Auctions Newsletter.
Articles Featuring Henry Chalfant. Transit, 1977-1987,” at the Bronx Museum of the Arts. 12h x 60w in. Courtesy of Eric Firestone Gallery. “His body of work is indispensable,” Mr. Ellis said. We will continue to bid on your behalf up to your maximum bid only if there are competing bidders on the lot. Kodak Professional Endura metallic paper, Henry Chalfant: Art vs. Henry ChalfantSkeme Daze, 1982, printed 2013 Widely recognized as one of the most significant documentarians of street art, Henry Chalfant has produced numerous photographs of the work of artists now recognized as graffiti pioneers. This was “Ford to City: Drop Dead” New York. “When I was shooting in the Bronx I spent a lot of time just hanging out in the stations, and you could hear the sound of the street and smell the aroma of coffee and cuchifritos coming up. Transit, 1977-1987 is generously supported by KAWS, Michael D. & Kristin Elkins, David Forbes and Velda Turan, Janet Goldman, Hal & Jodi Hess, Supreme, Powerhouse Arts, Philip & Cheryl Milstein, Eric Firestone Gallery, Sacha Jenkins & MassAppeal, Rob Cristofaro & Alife, Shepard Fairy, Anne Brown, and Josh Rechnitz.
Transit, 1977-1987 will feature documentation of works no-longer extant by legendary subway writers, including Dondi, Futura, Lady Pink, Lee Quiñones, Zephyr, and including Bronx legends Blade, Crash, DAZE, Dez, Kel, Mare, SEEN, Skeme, and T-Kid. Montage of 5 joined photographs
Pod and others, Intervale station on the 2’s and 5’s, The Bronx (1979). artnet collects a Buyer's Premium of % on all lots sold. Transit, 1977-1987 at the Bronx Museum of the Arts. A funny thing happened on the way to Public Space. One of the foremost authorities on New York subway art, and other aspects of urban youth culture, his photographs record hundreds of ephemeral, original artworks that have long since vanished.
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