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Shakespeare’s “Richard III” explores this idea, using the most influential artistic medium of the time, theatre, to further publicise the ‘Tudor Myth’ perception. Intrinsic to both texts, there is the notion that art is used to directly influence and impact existing historical perceptions. In both texts the audience’s perception of the power dynamics is very important, and the audience’s opinion itself is somewhat represented within the texts. Witt? Shakespeare juxtaposes Clarence’s dream with his murder in order to affirm the value of Providentialism and the Great Chain of Being which underpinned Elizabethan hierarchical society. * Tudor Myth displayed Pacino aims to educate the American populous on the value of Shakespeare’s play King Richard III and the enduring relevance of the playwrights themes. Using ‘MTV cuts’, Pacino is able to cut from this to a hand-held camera, showing a close-up of Winona turning to Pacino for security. The film follows Pacino's creative journey as he tries to get "under the skin" of Richard III and it features script readings, impromptu rehearsals in the street with a great cast of American and British actors, lots of off-the-cuff humour and performances of snippets of the play in full costume. The film and it’s immediacy & accessibility had replaced theatre, resulting in film. Clarence accepts his crimes and the punishment which is to be his as a just outcome of... ...aware of RIII& Tudor’s overthrow of Platagenets, therefore play is dramatisation of actual events. William Shakespeare’s play King Richard III and Al Pacino’s docu-drama Looking for Richard have enriched my understanding of how context shapes the values inscribed within each text. * Pacino may be displayed as a egocentric, Hollywood star fulfilling his own purpose of promoting himself unto the world. This website uses cookies to provide you with the best browsing experience. Year: 1996. The use of alliteration and imagery not only emphasizes her naivety, but makes the audience sympathetic to her, therefore giving her power, as she is only a pitiful, meek young woman who’s been exploited by Richard, whilst simultaneously demonstrating her powerlessness within the play itself. Through the power of the individual, the audience and power differences between the genders, both texts are able to produce connected yet individual perceptions, from which the wider audience can judge. When trying to appeal to their respective audiences, the way in which this power is shown is very different, as even though the theme of power is constant, the ways in which it are seen and embodied in society is largely a product of the times. The use of nature also produces a sense of foreboding and unease. * Through the collective works and connections established one forms an opinion on identities and how actions shape and define a person and their identity. As the three Mary’s are at the ‘tomb’ (the Tower of London) they generate sympathy for the audience by showing pity for themselves and each other as a result of Richard’s crimes, Anne commenting on how “Within so small a time, [her] woman’s heart/ Grossly grew captive to his honey words”. This is further conveyed through stichomythia dialogue and the cinematic technique of dissolving close-ups which highlight the trance like state Lady Anne falls into as she is seduced by Richard. Using scenes from the play and incorporating modern interpretations Pacino offers both Shakespeare’s representation of power, his own and that of society, to connect past to present and present new forms of power that is seen in today’s predominantly secular society. As Richard III is historically Elizabeth’s enemy, painting him as the Herod-tyrant Machiavel that Shakespeare does not only create a better situation for the monarchy, but also produces an intricate character through which one is better able to understand the nature of power. Please join StudyMode to read the full document. Special offer for LiteratureEssaySamples.com readers. LFR A citizen states the opinion that Shakespeare hopes to generate within the people themselves, and displays their fear of Richard’s power, saying “When great leaves fall, then winter is at hand;/When the sun sets, who doth not look for night?”. Richard III is a Shakespearian play set at the end of the War of the Roses, where a dramatic shift of power had just occurred, and the ascent of Richard to the throne had begun. A scrutiny of the contradictory forces of humanism and determinism and the function of women as demonstrated by both texts imparts an incongruity of context. Instead Pacino focuses on the idea that King Richard is not fit for power as he used villainous methods and deception in its attainment. The continuing relevance of the play RIII is fuelled by our contemporary societies desire to re-evaluate the role of women, characterisation of villains (Richard) and the role of materialism in modern day contexts. Barbara Everett: Irony is only hypocrisy with style. This indicates the modern relevance of the themes prevalent in Shakespeare’s work as they timelessly transcend beyond the Elizabethan era. Director: Al Pacino. This cinematic technique was used by Pacino as it would captivate the audience and cause them to consider the repercussions of moral evil. ...connections between King Richard III and Looking for Richard. Pacino tells us in Looking for Richard that we should be looking for Shakespeare's Richard III in performances of the play, in the world around us, and in ourselves, not on the bookshelf. Pacino earlier states that he wants to cast someone “very young”, in order to serve his purpose of heightening Richard’s individual power, and to bring it into a modern context. The purpose of the manifestation of metaphysical evil elucidated through deformity of the body is easily understood by an Elizabethan audience, due to the supernatural and religious context of the time. Pacino emphasizes the moral weakness of Lady Anne and strongly victimizes her character by choosing a young actress. Richard is a Machiavel; he calls himself a devil, ‘Thus like the formal Vice, Iniquity, I moralise two meanings in one word.’ Finally, the Looking For Richard script is here for all you quotes spouting fans of the Al Pacino movie about the making of Richard III. “I clothe my naked villainy…and seem a saint when most I play the devil.” Allegorical representations force us to recognize the Machiavellian qualities of Richard as he metaphorically connects himself to the devil towards the end of Act 1. Quotes.net. Scholars have made S seem too difficult-actors have impression... StudyMode - Premium and Free Essays, Term Papers & Book Notes. The nature of power within Looking for Richard both reflects that which is represented in Richard III and extends or alters it to be incorporated into a modern context, appropriate for a wider, contemporary audience. This juxtaposition is brilliantly achieved in one scene, where Al... ...William Shakespeare’s “King Richard III”, an Elizabethan play written as a piece of Tudor propaganda, and Al Pacino’s 1996 docudrama “Looking For Richard” set in contemporary New York, have distinctive parallels in what values they concern themselves with despite their markedly different contexts. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of Looking For Richard. Year: 1996. * Richard III – Ambition for power and the crown (Buckingham, Richard, Richmond) The audience is reminded of Richard’s villainy through his soliloquy where he states, “Was ever woman in this humour wooed? Ambition; an earnest desire for some type of achievement or distinction, as power, honour, fame, or wealth, and the willingness to strive for its attainment In Act two scene three of the play, citizens of the kingdom discuss their own views on the state of the monarchy, connecting it to the audience, and helping to gain power over them by encouraging them to believe their fellow contemporaries. Shakespeare’s historical play ‘Richard III’ and Pacino’s docudrama ‘Looking for Richard’ confirm such theory through an exploration of the contextual and inherent. Written by: Frederic Kimball (Writer), William Shakespeare (Original Story), Al Pacino (Writer) Script Synopsis: Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III." Audience related to the values in the play-divine right, treatment and place of women, good&evil, religion. In coherence with the Calvinistic ideologies of the time, Shakespeare presents the women as the force for providentialism, in contrast to Richard who believes in the power of free will. Success? Pacino also plays on his past roles as characters such as ‘Scarface’ and ‘the Godfather’ to reflect Hollywood’s interest with the dark villain, a clear parallel between what Shakespeare created.

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