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Ira Gershwin:
Oscar Peterson
Click here to read lyrics for "Someone To Watch Over Me" as sung by Ella Fitzgerald on her album The George and Ira Gershwin Songbook, original 1959 version on which Ella sings the
might be, we are fortunate to have Lawrence's own contemporaneous recordings with "their special elegance and humor, that at their best characterized Gershwin's musical comedies in their own time" (Pollack, p. 389). Sarah Vaughan
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The solo album features Peterson "stretching out on nine familiar standards and really tearing into a few of them, including "Perdido," "Bye Bye Blackbird," "Lulu's Back in Town," while giving "Little Girl Blue" a beautiful and lyrical treatment" (Scott Yanow, CD Universe). She sings "Someone To Watch Over Me" alone on stage with only the doll as a candidate to take care of her, thus intensifying the "wistful" quality that both he and Ira had discovered when early on George had inadvertently slowed down the tempo -- which turned out to be integration enough. Video: same track as on album shown above
Hall (cl), Ernie Caceres (bars), Gene Schroeder (p), Jack Lesberg (b), Cozy Cole (d), Lee Wiley (voc), Eddie Condon (g, dir), Bobby Hackett body {
video before starting another.
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Credits for Videomakers of videos used on this page: Borrowed material (text): The sources of all quoted and paraphrased text are cited. Although he may not be the man some
video before starting another. The more well known is from Ella's George and Ira Gershwin's Songbook album produced by Norman Granz in 1959, with Nelson Riddle arrangement: video and album in the Cafe Songbook Lyrics Lounge, center column on this page. Submit comments on songs, songwriters, performers, etc. body {
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New York, Oxford Univ. Biopic of Gertrude Lawrence starring Julie Andrews
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4 on which Peterson begins with a forceful up-tempo treatment, perhaps reminiscent of Gershwin's original "Scherzando" intent, then slows it down to ballad tempo (more like Gertrude Lawrence and subsequent singers have used), moving up and back between these two speeds as the fancy takes him.
She was not the generic flapper of earlier Gershwin shows but a multi-faceted figure, one who came from wealth but was streetwise, one whose personas in the show included an "urbanely flippant" society lady, a housemaid with a brash Cockney accent, and an innocent, vulnerable and naive young woman. Vernon Martin (b), Roy Haynes (d), Lee Wiley (voc), Max Kaminsky (tp), Miff Mole (tb), Edmond 1996.
Read about Someone to Watch over Me by George Gershwin and see the artwork, lyrics and similar artists. George and Ira had some difficulty fitting “Someone to Watch Over Me” into the plot of Oh, Kay!
(Please complete or pause one
They kept "Someone To Watch Over Me" in Oh, Kay! Borrowed material (images): Images of CD, DVD, book and similar product covers are used courtesy of either Amazon.com or iTunes/LinkShare with which CafeSongbook.com maintains an affiliate status. Tommy Pederson, James Priddy, George Roberts (tb), James Decker, Vincent DeRosa (tpa), Ronnie Lang (as), Ed Gilbert (tu), Paul Smith (p), Barney Kessel (g), Joe Comfort (b), Mel (In fact, he is not a bootlegger but, conveniently for the plot, an American playboy millionaire, owner of the mansion where the lady's brother, a down-and-out English duke turned bootlegger, has stashed his hooch.)
George playing his "fast and jazzy" version of
Leave feedback, Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz vocalist with a vocal range spanning three octaves (D♭3 to D♭6). album: Chet Baker Sings Again, Video notes: Chet Baker on vocal and trumpet recorded live in Holland, 1955, with Dick Twardzik (piano), Jimmy Bond (bass), and Peter Littman (drums). In all these venues Lawrence appeared in the title role. Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. On this version, she is accompanied only by Ellis Larkins on piano. These piano accompaniments are Mp3 piano tracks created as a digital music download by a professional pianist.
if one accepts 'scherzando' as the intent" -- not taking into account that it was only the intent of the songwriters until George and Ira changed their minds and slowed it down, which was before the lyric was written and before the show opened. background-color: #FBECD5;
That he doesn't, may leave things a bit ambiguous but doesn't rule out anything either. }
Live on the Today Show Summer Concert Series, Notes: Both Tony Bennett, on whose second Duets album Lady Gaga joins him to perform "The Lady Is a Tramp," and Michael Feinstein have been very complimentary regarding her performance of standards. background-color: #FBECD5;
Order a custom track, You have a piece of music that needs to be re-noted or transposed. The track on the album above is a very similar rendition with piano accompaniment only. I know I could Always be good To one who'll watch over me.
On the album referenced above, Wiley, often his vocalist, is accompanied by Condon's band with Condon on guitar; other personnel on the album include Edmond Hall, Joe Marsala, Pee Wee Russell (clarinet); Ernie Caceres (soprano saxophone, baritone saxophone); Dick Cary (trumpet, cornet); Max Kaminsky, Billy Butterfield (trumpet); Muggsy Spanier, Wild Bill Davison, Bobby Hackett (cornet); Benny Morton's All Stars, Lou McGarity, Miff Mole, Tommy Dorsey (trombone); Jess Stacy, Joe Bushkin, Gene Schroeder (piano); Joe Grauso, Gene Krupa, George Wettling, Danny Alvin, Big Sid Catlett, Johnny Blowers (drums).
Is More Than Okay,” Peter Filichia describes how the Gershwin brothers had originally put this song in Act I but decided that Gertrude Lawrence’s character, Kay, wouldn’t be close enough to any other character at this point in the musical to be pouring out her heart. 1968. Go directly to shout page.
The plot revolves around the adventures of the Duke of Durham and his sister, Lady Kay, English bootleggers in Prohibition Era America. New York: Limelight Editions, 1997
1945: 1954:
James, tp), Julie Andrews with Nelson Riddle Orchestra, Buffalo Philharmonic Orchestra, Michael Tilson Thomas The solo album features Peterson "stretching out on nine familiar standards and really tearing into a few of them, including "Perdido," "Bye Bye Blackbird," "Lulu's Back in Town," while giving "Little Girl Blue" a beautiful and lyrical treatment. The musical Oh Kay! (Please complete or pause one
Both Deena Rosenberg and Michael Feinstein have stated more or less flat out that the Gershwin's never wrote a song for a show without a dramatic context in mind. All she knows is that she wants him to "turn out to be [that] someone to watch over me," reinforcing the needy and innocent side of her character.
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