I don’t go to a script saying, “I have to figure this shit out.” But I am realizing that it does inform my life in the biggest way, where I didn’t think that before. Because it’s for people, and made with people, who inherently understand that and live it every day. Hall and Nivens, being morally directionless men of a younger generation rather than the upright boomers represented by Tom, Baker, and even the disaffected (but soon reformed) Meyers, scam Tom as soon as they realize he’s the real deal. There’s a line in there where [Elizabeth Olsen’s character] is talking about how she can see herself in the future, and she feels like a rough draft version of herself. Technically, The Bird With the Crystal Plumage is an astonishingly assured debut. The Bird with the Crystal Plumage is about characters whose minds are haunted by nasty images, and Argento's films leave the audience the same. He also shares an appreciation the unique window provided by the collegiate experience to focus on self-actualization. I don’t think of my writing as therapy in that way. Heady though it is, the film also more than delivers the genre goods. Only Viv has a boyfriend (Jacques Colimon), and despite approaching their art with less apparent intensity than Julie, only Viv has the school’s most coveted instructor (Ivan Shaw). It’s an attractive and fairly shallow bauble of a thing that ticks off the story’s shock revelations in an efficient, if not particularly surprising, fashion. The film reminds us that Hollywood has generally forgotten how to mount erotic thrillers, which tap into subterranean feelings of sexual boredom and accompanying paranoia. Argento cannily stages the gallery scene so that literally the only thing in front of Sam is the killer, the truth, framed between monstrous sculptures and bright white walls. But in terms of the Zoom thing, it’s been really nice because I don’t have to drive in a car to go all these places. In quick order, the somewhat lost-seeming woman marries Max and refashioned as Mrs. de Winter, the new lady of Manderley, Max’s sprawling coastal estate that becomes her gilded cage. Hereditary is chock-full of citations to other classic horror films (most notably Rosemary’s Baby and The Shining) that take as their themes the manipulation of women as mothers and wives. And I think being in charge of all the things really collapsed it in a way that I really liked. The casual violence of Wilfred’s physicality is subtly calibrated, particularly the tension in his muscled back as he drinks lemonade on the porch after a hard day of murder. Fessenden catalogues what personalities and power dynamics have shifted and what hasn’t changed at all. Argento’s influential use of POV, hard chiaroscuro lighting and repeated visual doublings create a complex formal schema that enriches the gender politics at the fringes of the script. The biggest mistakes in the Harry Potter movies, 25 mistakes you never noticed in great movies, The 20 biggest mistakes in The Wizard of Oz, 40 biggest mistakes in The Big Bang Theory, More for The Bird with the Crystal Plumage, More quotes from The Bird with the Crystal Plumage. Even the format’s deficiencies, from the rickety hum of sprockets to the instability of the frame, are savored by what seems like a nostalgic impulse—a fondness for the old-fashioned that even transforms the rough, granular quality of the haunted films themselves into something like pointillist paintings of the macabre. Fisk’s focus on the victims of Middle Eastern power plays has made him some enemies.
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