Blu-ray, color, 105 min., 1966. What will Quiller do? ): as a result, they were summarily bumped off with stereotypical German precision. He contacts the teacher Inge Lindt expecting to get some clues to be followed and soon he is abducted by the leader "Oktober" and his men. Quiller has a love affair with Inge and they seek out the location of "Oktober". Taglines
The Chief of the Secret Service Pol summons the efficient Agent Quiller to investigate the location of organization's headquarter. They both go to the building, whereupon they are captured. The British Secret Service sends agent Quiller to investigate. But Quiller shares an important kinship with Spy in that it challenges popular 007 mythmaking: freshly envisioning the unglamorous underside of an intelligence profession that the James Bond franchise had been relentlessly trivializing since its inception. Michael Sandlin is a writer and academic based in Houston, Texas. His understated (and at times simply wooden) performance here can be a tough sell when set against the more expressive comedic persona he cultivated in offbeat 1970s comedies like Blume in Love, The Owl and the Pussycat, Where’s Poppa?, California Spilt, and Fun With Dick and Jane. The movie made productive use of the West German locations. With its gritty, real-world depiction of contemporary international espionage, The Quiller Memorandum was one of the more notable “anti-Bond” films of the 1960s. Synopsis This reactionary quake in the spy genre was brief but seismic all the same. But soon he finds that she has been kidnapped, and "Oktober" gives him a couple of hours to give the location of the site; otherwise Inge and he will be killed. This repackaging includes some worthwhile special features like an isolated score track and commentary by film historians Eddy Friedfeld and Lee Pfeiffer of Cinema Retro magazine to go with the new format. True, Segal never seems to settle into the role of Quiller. Instead, the screenplay posits a more sinister threat: the nascent re-Nazification of German youths, facilitated by an underground coven of Nazi sympathizing grade-school teachers. The pace is steady and barely changes throughout the course of the film, instead relying on the plot reveals and character development to drive the film along. After two British agents are killed while investigating Phoenix, a neo-Nazi group, Quiller is tasked with finding the organization’s leader. The Quiller Memorandum certainly couldn’t compete on an aesthetic level with a film like Spy Who Came in from the Cold: No actor, certainly not George Segal, is going to one-up Richard Burton in the anti-Bond department. For Quiller, it's a question of staying alive when he's not in possession of all of the facts. On the surface, we get at least some satisfying closure to the case of the clandestine neo-Nazi gang. He begins openly asking question about Neo-Nazis and is soon kidnapped by a man known only as "Oktober". Be the first to contribute! He spends as much time and energy attempting to lose the bouncer-like minders sent to cover him in the field as he does the neo-Nazi goon squads that eventually come calling. The film’s featured secret agent is the very un-British Quiller (George Segal), a slightly depressive American operative on loan to Britain’s secret services (take that, Bond!). Scriptwriter Harold Pinter, already with two of the best adapted screenplays of the 1960s British New Wave under his belt (The Servant and The Pumpkin Eater), adapted his screenplay for Quiller from Adam Hall’s 1965 novel, The Berlin Memorandum. On paper, this film had all the makings of a potential masterpiece: you’ve got a marquee cast, headed up by George Segal, Max Von Sydow, and Alec Guinness, for starters. The Quiller Memorandum by James Higham • October 28, 2017 • 7 Comments As long as you have access to a film or at least excerpts from it, you’ve read most of the reviews, especially the negative ones, and you have a feel for what people are saying, then perhaps you can legitimately write a … Fresh off an Oscar nomination for the mental anguish he suffered at the hands of Richard Burton and Liz Taylor in Who’s Afraid of Virginia Woolf (also 1966), George Segal seems, in hindsight, a dubious choice to play the offbeat Quiller. Soon after his amorous encounter with Inge, Quiller is drugged on the street by a crafty hypodermic-wielding operative and wakes up in a seedy basement full of stern-looking Nazis in business attire. The Neo-Nazis want to know the location of British operations and similarly, the British want to know the location of the Neo-Nazis' headquarters. And the legendary John Barry—composer of the original Bond theme—provides appropriately haunting incidental music here. Commenting on Quiller in 1966, The New York Times—somewhat unfairly—wrote off Segal’s performance as an unmitigated bust: “If you’ve got any spying to do in Berlin, don’t send George Segal to do the job.” The reviewer then refers to Quiller as a “pudding-headed fellow” (a descriptive phrase that sounds more 1866 than 1966). In the mid-Sixties, the subgenre of the James Bond backlash film was becoming a crowded market. George Segal as Agent Quiller with Inge Lindt (Senta Berger).
The former was a bracingly pessimistic Cold War alternative to freewheeling Bondian optimism that featured burnout boozer actor Richard Burton in an all-too-convincing performance as burnout boozer spy Alec Leamus.
In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. His book, George Segal (centre) with Senta Berger and Max von Sydow in a promotional photograph for, Studios: The Rank Organisation and Ivan Foxwell Productions. Plot Keywords Which is to say that in Quiller’s world, death is dispensed via relatively banal means like bombs and bullets instead of, say, dagger shoes and radioactive lint. In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. Parents Guide, Dirk Bauer
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