Castelli was New York’s leading dealer in contemporary art, and he had staged landmark exhibitions of Jasper Johns and Robert Rauschenberg in 1958 and Frank Stella in 1960.
- 1997. He died unexpectedly of complications from the disease on September 29, 1997, at the age of 73, in New York City. His college studies were interrupted in 1943, During the fertile decade of the 1970s, Lichtenstein probed an aspect of perception that had steadily preoccupied him: how easily the unreal is validated as the real because viewers have accepted so many visual conceptions that they don’t analyze what they see. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. 4 (October 1963), p. 31. iii. Karp was immediately attracted to Lichtenstein’s paintings, but Castelli was slower to make a decision, partly on account of the paintings’ plebeian roots in commercial art, but also because, unknown to Lichtenstein, two other artists had recently come to his attention—Andy Warhol and James Rosenquist—and Castelli was only ready for one of them.
In many ways, Picasso was a key influence on Lichtenstein, known for using the images of newspapers, wallpaper, and other widely produced material to parody and visually reconceptualize painters such as Henri Matisse, Georges Seurat, and countless others. dealers like Leo Castelli, who showed Lichtenstein's work at his gallery for 30 years.
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